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Linda Ejiofor Made History. A Film About a Nigerian Father Won Five Awards. AMVCA 2026 Was the Night Nollywood Changed.
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Linda Ejiofor Made History. A Film About a Nigerian Father Won Five Awards. AMVCA 2026 Was the Night Nollywood Changed.

Ratel Admin
May 31, 2026
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Linda Ejiofor won Best Lead Actress and Best Supporting Actress in the same night at the 2026 AMVCA, a feat rarely achieved in the ceremony's history. My Father's Shadow swept five awards, including Best Movie, after already winning at Cannes, BAFTA, and the Gotham Awards. Here is a full breakdown of the night that Nollywood will not forget.

Linda Ejiofor Made History. A Film About a Nigerian Father Won Five Awards. AMVCA 2026 Was the Night Nollywood Changed.

The 12th edition of the Africa Magic Viewers' Choice Awards, held at the Eko Hotel and Suites in Lagos on May 10, 2026, will be remembered for two things above all others.

The first was Linda Ejiofor-Suleiman winning both the Best Lead Actress and Best Supporting Actress awards in the same night, becoming one of the very few performers in the ceremony's history to achieve that double in a single year.

The second was My Father's Shadow collecting five awards, including Best Movie and Best Director, at the end of a global run that had already taken the film to Cannes, the BAFTA stage in London, and the Gotham Awards in New York.

For a ceremony that celebrates the breadth of African storytelling, it was a night that also asked a larger question: is a new chapter opening for what Nigerian film can achieve and where it can go?

The Biggest Story of the Night: Linda Ejiofor's Historic Double

Linda Ejiofor-Suleiman entered the AMVCA 2026 with two nominations in the acting categories. She left with both trophies.

She won Best Lead Actress for her performance in The Serpent's Gift, edging a competitive shortlist that included Bimbo Akintola for To Kill a Monkey, Sola Sobowale for Her Excellency, and Genoveva Umeh for The Herd.

She then won Best Supporting Actress for The Herd, beating out Bisola Aiyeola for Gingerrr, Sola Sobowale for The Covenant, and Amal Umar, her co-star in The Herd itself.

The double win placed her in rare company within AMVCA history. Industry observers noted that performing at lead and supporting level within the same awards cycle, across two different productions, and winning both, reflects a body of work in 2025 that was unusually consistent across very different roles.

Ejiofor, who first came to wide public attention through the television drama Tinsel and later built a substantial film career, has been one of Nollywood's most respected working actresses for over a decade. The AMVCA double was described by several commentators as a long-overdue recognition of sustained quality rather than a single standout performance.

My Father's Shadow: Five Awards and a Bigger Question

The film that dominated the evening in terms of total wins was not a traditional Nollywood production in the conventional sense, and that fact generated genuine debate before, during, and after the ceremony.

My Father's Shadow, directed by British-Nigerian filmmaker Akinola Davies Jr. and written by Davies alongside his brother Wale, won Best Movie, Best Director, Best Writing for a Movie, and two additional technical awards. The film was produced by Element Pictures, BBC Film, and the BFI, and was distributed in Nigeria by FilmOne Entertainment.

The story is personal. Akinola and Wale Davies were both toddlers when their father died. As adults, they remembered very little about him. The film imagines a single day in Lagos in 1993, during the tense aftermath of the annulled presidential election, in which a struggling father, played by Sope Dirisu, takes his two young sons on an unexpected journey. The film is a British-Nigerian co-production, and that classification has been at the centre of ongoing discussion in the Nigerian entertainment industry about what counts as a Nollywood film.

Davies addressed the question directly. "The Nigerian press asks me a lot if the film is Nollywood or not Nollywood," he said in an interview earlier this year. "I would say it is because all the technicians work in Nollywood. You can't borrow people from that whole industry and say it's not part of it."

The film's global track record before the AMVCA was remarkable by any measure. It made history as the first Nigerian film selected for the Official Selection at the Cannes Film Festival, where it won the Special Mention for the Camera d'Or in May 2025. At the BAFTA Awards in February 2026, it won Outstanding Debut for Akinola Davies Jr. At the Gotham Awards in New York, it won both Breakthrough Director for Davies and Outstanding Lead Performance for Dirisu. It received 12 nominations at the British Independent Film Awards, where Davies won Best Director. It carried a 98% rating on Rotten Tomatoes from 82 critics' reviews as of May 2026, with a Metacritic score of 85, described as "universal acclaim."

The film was made on a budget of approximately $3.4 million, a figure that sits well below Hollywood studio productions but above the average budget for most domestic Nollywood features. Whether its institutional backing, BBC Film and BFI funding specifically, was the critical factor in its global reach is a question the Nigerian film industry is actively wrestling with.

Other Major Winners

Uzor Arukwe won Best Lead Actor for his performance in Colours of Fire, in a category that also included Lateef Adedimeji for Lisabi: A Legend Is Born, Kanayo O. Kanayo for Grandpa Must Obey, and William Benson for To Kill a Monkey.

Arukwe, in a post-win interview with Punch, described his approach to the role as built on preparation over instinct. He said that receiving the award was meaningful not only as personal recognition but as confirmation that a certain kind of quiet, precise performance has an audience in Nigerian cinema.

Bucci Franklin won Best Supporting Actor for his role in To Kill a Monkey, with reports noting his acceptance speech was among the most emotional of the evening.

Lateef Adedimeji won Best Indigenous Language Film for Lisabi: A Legend Is Born, which he produced and starred in. He dedicated the award to his wife, actress Mo Bimpe Adedimeji, in a moment that drew significant response in the hall and on social media.

The ceremony's Industry Merit Awards honoured Nkem Owoh and Sola Sobowale, two of Nollywood's most enduring performers, alongside Richard Mofe Damijo. Uche Montana received the Trailblazer Award.

The event was hosted by Bovi Ugboma and Nomzamo Mbatha. It was the first edition not hosted by IK Osakioduwa, who had been the face of the ceremony for over a decade, making the transition itself a minor talking point ahead of the night.

What the Night Signals for Nollywood

The 2026 AMVCA took place at a moment when questions about the direction of Nigerian film are particularly active.

My Father's Shadow's global success has demonstrated that Nigerian stories, told with the right production resources and distribution access, can compete at the highest levels of international film. The film's Rotten Tomatoes score, its BAFTA, its Cannes recognition, and now its AMVCA sweep represent a kind of external validation that the industry has sought for years.

At the same time, films like Lisabi: A Legend Is Born, Colours of Fire, To Kill a Monkey, and The Herd, productions that sit more firmly within the domestic Nollywood ecosystem, performed strongly across multiple categories. The AMVCA shortlists reflected genuine depth across a range of production styles and budget levels.

The ongoing debate about what constitutes a Nollywood film, who gets to claim the label, and whether international co-productions represent an expansion or a separation from the industry is not new. It has intensified following My Father's Shadow's awards run, and the AMVCA's decision to recognise the film across its top categories will keep that conversation going.

What is not in question is the quality of the performances and stories that filled the 2026 category lists. From Linda Ejiofor's double to Uzor Arukwe's quietly commanding lead performance, from Bucci Franklin's emotional acceptance to Lateef Adedimeji's dedication to his wife, the evening belonged to people who have spent years doing the work.

Full List of Key Winners

Best Movie: My Father's Shadow

Best Director: Akinola Davies Jr. for My Father's Shadow

Best Lead Actor: Uzor Arukwe for Colours of Fire

Best Lead Actress: Linda Ejiofor-Suleiman for The Serpent's Gift

Best Supporting Actor: Bucci Franklin for To Kill a Monkey

Best Supporting Actress: Linda Ejiofor-Suleiman for The Herd

Best Writing (Movie): My Father's Shadow

Best Indigenous Language Film (West Africa): Lisabi: A Legend Is Born (Lateef Adedimeji)

Best Cinematography: Kabelo Thathe for To Kill a Monkey

Best Editing: Daniel Anyiam for To Kill a Monkey

Best Costume Design: Valerie Okeke for Colours of Fire

Best Art Direction: Ajamolaya Bunmi for Colours of Fire

Industry Merit Award: Nkem Owoh, Sola Sobowale, Richard Mofe Damijo

Trailblazer Award: Uche Montana

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